The Most Valuable Thomas Hart Benton Lithographs of All Time (With Auction Prices)

Thomas Hart Benton stands as one of the most iconic American artists of the 20th century. Known for his muscular, movement-filled compositions and his deep storytelling, Benton produced over 90 lithographs between 1929 and 1974. These prints, typically issued in editions of 100 to 250, have become increasingly desirable among collectors and institutions alike.

While many of Benton’s lithographs trade hands at modest prices, a select few have achieved staggering auction results. In this article, we’ll explore the highest-selling Benton lithographs of all time, what factors drive their value, and what collectors should watch for when evaluating a Benton print.

Going West – The Highest-Selling Benton Lithograph on Record

The most valuable Benton lithograph sold at public auction to date is Going West. In 2014, an example of this work was offered by Rachel Davis Fine Arts in Cleveland, Ohio. Bidding opened at $5,000 and eventually landed at $65,000, an extraordinary price for a 20th-century American print.

Several elements came together to produce this result. Going West is printed in a limited edition of just 75, making it significantly rarer than the majority of Benton’s lithographs, which were usually printed in editions of 250. It also taps into one of the most collector-favored themes in Benton’s work: the American train. The bold image of a locomotive heading westward across a rugged American landscape perfectly encapsulates Benton’s style and narrative power.

Adding to its mystique, Going West has only appeared at auction one other time in the past decade. In 2016, Swann Auction Galleries in New York sold another example for $42,500. With many museums and major collections already holding this piece, the number of examples left in private hands is limited, making it even more desirable when one does appear for sale.

Other Top-Selling Benton Lithographs Worth $15,000 or More

While Going West holds the record, several other Benton lithographs have consistently sold for over $15,000. These works tend to be early in Benton’s printmaking career, printed in small editions, and themed around iconic elements of American history or folklore.

The Race is one of the best-known examples. With its train imagery and energetic motion, it captures a quintessential Benton scene and continues to perform well at auction. Three 1936 lithographs—Huck Finn, Frankie and Johnnie, and Jesse James—share several key traits: they were all printed in editions of only 100, they emerged early in Bentons lithograph production, and they each depict familiar cultural figures or stories that resonate with American collectors.

These four lithographs have each sold multiple times for prices above $15,000:

• The Race – a dramatic train composition with strong collector demand

• Huck Finn, Frankie and Johnnie, and Jesse James: all produced in editions of just 100 during the mid-1930s, each centered on legendary American narratives

Honorable Mentions: Lithographs That Sell for $10,000–$15,000

Beyond the top tier, a number of other Benton lithographs have regularly sold in the $10,000–$15,000 range. These works may not be quite as valuable, but they still carry tremendous narrative and aesthetic appeal.

Departure of the Joads, Benton’s poignant portrayal of the Grapes of Wrath migration, is a powerful social commentary and a standout among collectors of Depression-era art. The Station offers a  train scene and is notable for being his first lithograph. After the Blow, showing a schooner in a storm, highlights Benton’s ability to freeze a dramatic moment in time. Running Horses brings a strong sense of rural energy and freedom, while Wreck of the Old 97, based on a real train disaster, blends historical narrative and emotional impact.

What Makes a Benton Lithograph Valuable?

When evaluating a Benton lithograph, a few recurring characteristics tend to predict higher market value. Smaller edition sizes are a major factor. The most valuable prints are often from editions of 75 or 100, while many later works with larger editions are more accessible in price. Subject matter also plays a major role. Trains and folklore figures seem to be particularly sought after by collectors. 

Authenticity and condition are also critical. Serious collectors seek lithographs that are pencil signed by Benton in the lower right margin. Printed or “plate” signatures, often found on reproductions, carry significantly less value. Condition matters, too, creases, tears, staining, or trimming can all negatively affect a print’s value. 

To summarize, the highest-value Benton lithographs often share these traits:

• Low edition size (typically 100 or fewer)

• Popular themes such as trains, American folklore, or historical subjects

• Pencil signatures, strong condition, and solid provenance

Where to Find High-Value Benton Lithographs

For collectors looking to acquire a significant Benton lithograph, several auction houses and platforms stand out. Swann Galleries in New York regularly handles Benton prints, often with excellent results. Soulis Auctions in Lone Jack, Missouri offers regional strength and a history of strong Benton sales. Circle Auction in Kansas City frequently features Benton’s work and is well-positioned for collectors in the Midwest. 

Outside of auctions, reputable galleries like The Old Print Shop and The Annex Galleries sometimes list authenticated Benton lithographs. Online platforms like Invaluable and LiveAuctioneers can be good sources, but due diligence is important, buyers should verify authenticity and condition before purchasing.

Thomas Hart Benton’s lithographs continue to capture the American spirit through motion, narrative, and form. For collectors, the right piece can offer both a connection to the past and a sound investment for the future.

If you own a Benton lithograph and are curious about its value, you can explore our Collectors Club where we give valuations and selling options.